Before you invest hours in your garden this season,
reflect for a moment on last year. The deer that munched your first hopefully
planted batch of seedlings. The moles that dug up the seedlings the deer didn't
eat. And the bear that trampled the remnants when he made off with your bird
feeder.
Take a cue from the Japanese and preserve your peace of mind by
bringing spring indoors with ikebana, the art of traditional Japanese flower
arranging.
Ikebana, which translates to "living flowers," originated in
China, where Buddhist monks would arrange flowers and place them on altars as
offerings.
"They would just place flowers of the season in a tall
container," said Antoinette Drouart, ikebana instructor and owner of Ikebana
Flower at 95 W. Pearl St. in Nashua. "These were very simplified
arrangements."
As Buddhism spread to Korea and Japan, ikebana spread with
it and eventually came to be used for more aesthetic purposes. During the 16th
century, it became popular among the samurai. "Ikebana has always been a man's
art," Drouart said, "and men were always the principal flower arrangers."
Since men, especially samurai, tended to be very busy,
the responsibility of flower arranging often fell to their female companions.
Men still oversaw the arranging, but women were now allowed to
participate.
Antoinette
Drouart is an ikebana instructor and owner of Ikebana Flower at 95 W.
Pearl St. in Nashua.
"It's only in the past 20 years that women have been allowed
to be the iemoto, which is the highest position in an ikebana school. It's
passed down through a (family) bloodline," said Drouart, who is certified by the
Sogetsu School, one of the three main schools of ikebana. The current Sogetsu
iemoto, Akane Teshigahara, is a woman. "The Sogetsu School has really taken it
out of the temples and brought it into the homes and opened it up to the women,"
Drouart said.
Drouart began her ikebana studies while living in Japan
from 1986 to 1992 for her husband's work. Ikebana was one of several classes she
took in order to learn the language. "I didn't know any Japanese," she said, "so
I took language classes and cooking, ikebana and sewing classes."

Staff
photo by Don Himsel Antoinette
Drouart uses fantail willow and gerbera daisies to create an arrangement
called variation No. 2 upright style nagaire.
She
left her cooking and sewing classes after a year because she had learned the
necessary vocabulary, but continued studying the language and ikebana. "Working
with the flowers really brought me a sense of peace," Drouart said. "You learned
to look at the flowers in a completely different way than I had learned to look
at them in the Western world. The flowers became part of everyday life rather
than for special occasions or just in a garden."
More Information:
Antoinette Drouart offers ikebana classes on an
ongoing basis. For those whose gardens manage to thrive in
spite of the local wildlife, Drouart will be
offering
special classes this summer where you can bring in flowers
from your own garden to arrange. Students of all levels are
welcome. Drouart also custom designs arrangements and sells a
variety of flowers and branches at her shop. For more
information, call 595-8877 or visit:
http://www.ikebanaflower.com/
Unlike Western floral
arrangements, ikebana is an asymmetrical art. Flowers, branches and water are
all equally important, and empty space is used as consciously as any of the
tangible materials. Some arrangements also incorporate stones, which are used to
invite the presence of benevolent spirits.
"We learn to adapt to our
place," Drouart said. "We're very adaptable with our materials. . . . Wherever
we are, we'll use seasonal flowers in addition to exotic flowers."
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For springtime in New Hampshire, she suggests using
plum, cherry, weeping cherry, witch hazel, forsythia and pussy willow for
branches. For flowers, Drouart recommends irises, daffodils, narcissus,
hydrangeas, hyacinth and all kinds of tulips.
When selecting flowers and
branches for an arrangement, keep in mind that each type of flower or branch has
its own special connotations. Bamboo and pine, said Drouart, both signify
strength. Orchids are a celebratory flower, while white roses are used for
funerals. Choosing flowers and branches can be a little daunting for beginners,
so she chooses for her beginning students.
The choice of container for an
arrangement is also significant. "Pottery containers are used a lot because they
represent earth," said Drouart. Bamboo baskets are used from May through
October. Glass containers, which represent ice, are used during the winter and
also in the summer because of their cooling effect.
To ensure an
arrangement stays fresh and vibrant for as long as possible, Drouart recommends
cutting each individual stem at an angle under water before positioning it in
the arrangement, which keeps the stems open and receptive to water. The water in
the arrangement should be changed daily.
In a traditional Japanese home,
a completed arrangement would be placed in the tokonoma, a raised alcove used
especially for the display of ikebana, decorative scrolls, and other art
objects. In more modern homes, they are positioned in the entryway or the living
room as a gesture of welcome, or even in the kitchen or bathroom.
If
space is at a premium, as it is in many Japanese homes, consider a hanging
ikebana container that can easily be mounted on the wall. "That way," said
Drouart, "you can still have a floral arrangement without taking up a lot of
space."
Although the end result of ikebana is a highly structured
arrangement, the process itself can be just as rejuvenating as spending an
afternoon working in the garden. Perhaps even moreso, as there's no weeding or
mosquitoes involved. "It's the experience of putting the world outside and just
relaxing," said Drouart. "Putting your worries on hold. Your time."
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